Entr’acte Antwerp, Belgium
The Entr’acte
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supported by 14 fans who also own “A. Repurposed Dub”
An ascetic (though mighty) sound palette, works as a canvas for an unrivaled lecture about rhythm generation & composition in electronic music. Straight from the outermost post and beyond the explored areas of this micro universe, from where Yves De Mey sends us back his findings. Now I’m trying to remember what was I doing back in September that prevented me from grabbing this instantly.
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supported by 13 fans who also own “A. Repurposed Dub”
an album that focuses on blasts and releases, patterns and less-so-pattern-y compositional moments. The movement from pattern-y rhythmic pulsing, even danceable? to rich, drone-y, expansive, even noisey? are idiosyncratic, natural and fun. Nothing ever builds up too much or lays too strong of a foundation, so stops and shifts are more than allowed and when a shift does occur there's a safety in knowing it will change soon. Amazingly recorded, great sounds.
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The sharp & engaging electronic pop on the latest from Maria Chiara Argirò shapeshifts beautifully from moment to moment.
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Scottish electronic artist Kusht brings us two lithe and mysterious new compositions, both of them sinewy & heavily rhythmic.
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Surprise! Nathan Jenkins is back with a playful new avant-pop effort featuring Carly Rae Jepsen, Panda Bear, and Charlotte Adigéry.
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